P valley gay scene
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To have someone not shame you for giving into the things that have weighed you down, to have someone still sit in that car with you, anyways: it’s a story I’ve never seen for my people and it’s a story I need.
Natalie: As someone who’s dealt with ideation myself (and written about it) and who also understood Teak’s mindset in that car more than I’d care to admit… I really appreciate you being vulnerable and sharing that.
A.
I was so hopeful that life would let go of the hold it had on Murda, and that Uncle Clifford would keep their boundaries but still let him back in slowly.
So when they got back together and then had that personal moment in the finale. Those of them who are watching it with their straight partners may be doing so out of obligation and didn’t think that the storylines would go where they have.
They were probably weirded out by Uncle Clifford, but because she wasn’t doing anything “very gay” they tolerated it.
Yes. Would there come a day when Clifford would be willing to accept the love being offered to her, without fearing that the rug would be pulled out from under of her Louboutin clad feet? There is diversity within diversity,” she shared. Shelli, A. Tony, Carmen and Natalie got together to talk about P-Valley’s queerer second season and how the show is truly changing the game.
A lot of people, when they hear that P-Valley is a TV show about a strip club, they think about spots like The Landing Strip from Friday Night Lights, Bada Bing from The Sopranos, or Xavier’s from Hightown… but P-Valley really has changed the game on how strip clubs are depicted.
Cuz That’s a lot to see if u not use to it.”
Many viewers like him were shocked that such a scene could make it onto cable TV in a show about a non-binary strip club owner with a lace front and beard.
Critics of the comedian were quick to regurgitate his own logic back at him, claiming that heterosexual sex scenes should also come with a “super straight advisory” because that can be jarring to gay viewers.
Polk responded to Duval’s tweet: “As a writer and producer of P-Valley, specifically a writer of this episode, I encourage you to step away from Chucalissa.
Do not pass go.
I do think the show tried to clear up their mess in the finale, when Farrah sells artwork she made based on Mercedes’ likeness and pays her for the rights. Over a fuck? I think she found in Mercedes someone who saw her and her talent and who showed her what strength looked like. And we were looking for some books and I happened to read the script and I remember it brought me to tears, man.
We tried not to overplay the hand or skip any beats, but just live in the moment and tell the truth. That strains credulity to me. However, Lil Murda’s resolution to overcome his insecurities and fears to build his career as a rapper may have parallels in real life. They can give us fifty-eleven Power spin-offs but they can’t give fans an early renewal of P-Valley?
Not at all… not even a little bit. I’ve struggled with passive ideation since I was a kid, and this doesn’t make me want to do anything, but it offers a kind of, “I see you” in a way I can’t explain. So, it’s very bittersweet, because we lost him, but then people have just been craving for Uncle Cliff and Lil’ Murda.”
“To see them come back together is a beautiful moment,” the actor continues.
Then to see that walk hand in hand with a love that cannot exist in the same way it did before — a love that just could not grow into something else because one of the lovers was just left behind — just really kind of messed me up.
I get Big Teak’s reasoning on a lot of things a lot more than I’m comfortable with acknowledging.
This show is not for you. Like, I’m supposed to be enticed by a barely there white girl swaying side to side to some slowed down version of a Panic At The Disco song?
I’m sorry but in so many parts of life I still get very upset when white folks are celebrated for doing the very, very least and when white women get like, all the praises for simply being white.
And so, it felt very real.